![]() ![]() ![]() A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. ![]() In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine - often with robotic vocals distorted through a talk box. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo and Kendrick Lamar, Flying Lotus, and Thundercat, respectively. Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it its fat chords beg your body to get up and groove.īrown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. Korg Gadget Coming To Nintendo Switch In Spring Lastly, a less-trumpeted feature addition brought in with the new update is that the app now fully supports 24-bit audio, meaning producers and hobbyists alike can rest assured that any beats they develop in GarageBand mobile will be exported at a standard high enough standard of audio quality to stand alongside professional recordings made using the apps desktop cousin and big brother DAWs. As in the past, third-party plugins will continue to be standalone offerings separately available from the App Store, but the new Sound Library rekindles hopes that we may someday see a similar "Plugin Library" or similar expansion allowing even wider opportunities to find new sounds.Īlong with the Sound Library, Apple has also added the Beat Sequencer, a solution for drum programming that offers more precise control that finger tapping the 4x4 drum pad grid without the tedium of typing MIDI notes into a piano roll one at a time. GarageBand 2.3's newly-expanded feature set addresses two shortcomings: the relatively small selection of stock sounds and instrument kits, and lack of a traditional drum sequencer like one might find in Ableton Live or FL Studio.Īs of this newest update, users can now access Apple's new Sound Library, which includes a host of free downloadable instruments and sound packs to expand the apps sonic palette. In the early days of mobile music-making, Apple's GarageBand mobile app immediately set itself apart from the competition by offering an excellent distillation of the complete feature set of its desktop counterpart, which itself is the younger sibling of Apple's flagship digital audio workstation, Logic Pro.Īpple's latest update to the mobile app takes into account the growing acceptance of GarageBand and other leading music-making apps by the industry as legitimate production tools - case in point: producer Steve Lacey (of The Internet) produced " PRIDE.," from Kendrick Lamar's chart-topping album, DAMN., using the app on his iPhone. ![]()
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